To Be Free

When you are no longer aware of the sounds around you, the hum of the air conditioner, the buzzing of bees, the roaring of  lawn mowers or the whine of boats on the lake, but are in a place seven thousand plus miles away where it's hot and dusty, among a people whose culture and day to day living is unlike your own, you are lost in a book.  But are you truly lost?  No, in a good author's care you follow the map of the story's events carefully laid before you, shadowing the characters, getting caught up in their life travels.

Chained (Margaret Ferguson Books, Farrar Straus Giroux), a first novel by author Lynne Kelly, begins in a small, rural village in northern India; poverty and illness are no strangers to the people there.

The flood left, but the fever stayed.

Chanda, ten-year-old Hastin's younger sister, is hovering on death's doorstep.  Amma, their mother, takes a job to cover the cost of her hospital care fearing they may loose her as they did her husband and Hastin's father.

Discovering his mother's employer to be abusive Hastin seeks a job to free her from these obligations.  He is wooed by the owner of a circus who seeks his services as an elephant keeper.  The promise of more than enough money to pay the debt, despite being away from home for a year, sounds good to a young boy with more trouble than someone his age should have.

Leaving the only environment he has known, Hastin finds himself surrounded by the green of jungle many days away from his family.  Arriving at the circus Hastin finds it, like the owner, his elephant trainer and the elderly cook, not as he expected.  After a trap is dug and hidden Hastin, watching the elephants daily, becomes attached to the herd giving them names.

When a young female, Nandita, is captured, riddled with guilt Hastin pledges to give her the best of care and find a way to unit her with her family.  Timir, the circus owner, Sharad, the elephant trainer and Ne Min, the Burmese cook, all harbor secrets; secrets which drive their actions, shape their personalities.  Very quickly Hastin realizes to save himself from this servitude and Nandita from the tortuous training, he must find a courage he is not sure he has.

As the days, weeks and months pass Nandita and Hastin develop an inexplicable understanding which can grow between humans and animals, knowing in their heart of hearts they would protect each other with their very lives.  Pressure to perform, escalating events, and a real fear of being trapped in a never-ending nightmare push all the characters to their limits; some with evil intent, others to be what is best in human nature, to make wrongs of the past right.  In an ending where bravery overcomes fear, death renews life and the price for freedom is paid readers' hearts will pause in anticipation and swell in celebration.

Through the careful research of Lynne Kelly readers become aware of a very real portrayal of life in India for children and elephants.  Through her attention to detail readers are swept up in Hastin's and Nandita's world; heart's aching for their suffering and taking comfort in the bond forged between the two.  In the skillfully developed character of Ne Min, Kelly has given the two a mentor filled with a wisdom born from experience; holding the key to their survival.

Readers will come to know through Kelly's narrative, while Nandita is the one wearing visible chains, other characters are chained by greed, fear, grief and poverty.  Cleverly each chapter is headed with a statement from Care of Jungle Elephants by Tin San Bo giving insight into their nature and keeping but also providing readers with questions.  A talented wordsmith, to be sure, here are a couple of examples of Lynne Kelly's writing from this title.

Never have I seen this much green.  One tree blends into another, and another, so I cannot tell where one tree ends and the next begins.  Green surrounds me with leafy walls, covers the ground below me, and hangs over my head in a canopy of branches.  It is beautiful but it is not my home, with its browns of rust-tan mud and sand and thatch.
I hear the elephants before I see them.  The snapping of twigs and rustle of leaves catch my attention.  Then I see the waves of gray weaving through the trees in front of me.

The old man and the elephant stare at each other.  "Her eyes are sad," he says.
So are yours, I want to say.
He takes Nandita's trunk and holds it out to me.  "Here, blow into the end of her trunk."
"Why would I do that?" I ask.
"To help her remember who you are.  Their sense of smell is strongly tied to their memory."
I do as Ne Min says.  He pats Nandita on the back, and she rolls to her side.
"How do you know so much about them?" I ask.
"I am old.  I know everything."

With intent and heart Lynne Kelly leads readers into Chained, a captivating tale of India, a boy and his elephant.  We willingly follow her words giving ourselves over to the road she paves toward freedom.  Thank you Lynne Kelly for this book; strength, devotion and love triumphant.  

To read further about Lynne Kelly follow her website embedded in her name above.  Lynne was gracious enough to recommend two interviews which provide background into the writing of Chained linked here and here.




UPDATE:  This morning, August 12, 2012 Lynne Kelly posted a link on Twitter leading me to this documentary about elephants in Thailand narranted by William Shatner.  It is informative and deeply moving.  Pair this with her book and your students will have much to discuss and ponder.

Mothers Never Really Leave

Through acts demonstrated again and again in all walks of life, love is truly the tie that binds.  One of the strongest loves is between mother and child.  For that reason a child, when faced with the loss of a mother, is frightened; a space once full is empty and what was normal is not.

Author/illustrator Gianna Marino in her newest title released this spring, Meet Me at the Moon (Viking), uses the plains of Africa as a backdrop for a story of love. 

Beneath the shade of the baobab tree, Little One sang, the calling song, and Mama came with a loving nuzzle.

It is in this closeness that Mama tells Little One she must go, climbing the tallest mountain to seek from the skies rain for their parched land.

Naturally, Little One doesn't want Mama to leave but she tells her child her love is everywhere, surrounding Little One.  She reassures Little One's questions with replies reflecting this belief; hearing her song on the wind, feeling her love in the sun's warmth, and seeing the same bright star in the night sky.  When Little One wonders how Mama will find Little One again, Mama says:

"When the night sky is bright, Little One, meet me at the moon, where the sky touches the earth.

With final spoken words of love, Mama leaves on her journey.  In her absence the young elephant listens to the wind, searches the starry dark and feels the warm of the sun knowing Mama's love.  Days pass with the land ever growing more dry.

Rains finally pour from the sky but Little One is unable to hear Mama on the wind, see their star or without the sun, feel her love.  As the sky clears, evening descends with the moon rising.  But how is Little One to reach the moon so high?  Remembering, a song floats into the night air.

Gianna Marino's text in this gentle story has a lyrical rhythm; as if one were reading a poem.  Mama's answers to Little One's doubts are exactly as one would expect from a creature close to the beating heart of Earth.  Readers will find comfort in the narrative as well as an expression of faith and hope.

In an interview given at Seven Impossible Things Before Breakfast, Marino describes her process for creating the mixed media paintings for this book also including the story behind this story.  Front endpapers show a glowing orange sunrise sky with the rolling plains in silhouette along the bottom.  A deepening night sky is depicted on the closing endpapers signifying a passage of time.

Throughout the story all the visuals are panoramic, two page spreads conveying the vastness of the setting.  Rich, warm hues of red, orange, and yellow dominate the pages with the land changing color indicting the presence or lack of rain.  The larger than life place of the sun and moon on many of the pages, a circle, illustrates the "no beginning, no end" idea of the love between Mama and Little One.  The final illustration of the pair beneath the moon continues that shape with Mama encircling Little One.

The illustrations of Little One and Mama are not done with them in isolation; zebras and giraffes are in constant motion in the background or framing the mother and child.  Knowing Little One is alone they are given a larger importance in the paintings.  Expressions on the faces of all the animals are a thing of beauty.

Meet Me at the Moon by Gianna Marino is a marvel of breathtaking detail set among the savannahs of Africa conveying the link of love that separation can not break.  Paintings and text work as one telling a story, timeless and true.  Share this book with everyone, with someone you love.