Create By Curation---Themeefy

For more than a year I have been wanting to try a curation tool I saw mentioned by Larry Ferlazzo on his blog, Larry Ferlazzo's Websites of the Day...  Previously I have posted about other similar tools, Scoop.it!, Storify, Pearltrees, Mentormob and Learnist.  With the flood of information from ever-increasing venues, it continues to be important to instruct our students in honing their curation skills.  The American Association of School Librarians' Standards for the 21st Century Learners draws attention to this need in several sections of Standard 1: Inquire, think critically and gain knowledge. 

Themeefy is a web 2.0 application that allows you to curate the social web and personal experiences, customize and publish learning.  This service is free.  The Terms of Service and Privacy Policy cover use by persons under the age of 13.  An informative section of the Privacy Policy, Children's Personal Information, states that districts using Themeefy need to make sure parental/guardian approval has been obtained.  The developers of this web 2.0 application intend for it to be utilized in an educational setting.

In the upper right-hand corner of the home page buttons provide you with the ability to create classrooms for implementing  the service (Classrooms Beta), Browse other developed magazines, drag a bookmarklet to your browser toolbar to easily place items in a Themeefy mag (Tools), Sign Up and Login.  In the center of the home page you can immediately begin to create a Themeefy magazine by choosing the general Create option or the Teach start-a-class choice.  For educators the Teach screen looks like the image below.  For purposes of this post, trying the application, I choose the Create option.

With a few clicks on the keyboard I had a theme name typed in and selected the Create Theme button. At this point I have not signed up yet.  The next screen, the workbench, provides a short text box type tour of many of the icons by clicking the forward and backward arrows. This is very helpful for a new user.

As soon as you arrive at the workbench the left side of the screen is filled with hits from a Google search of the theme name.  Beneath each item is the source link which gives you a chance to check for accuracy, relevance and authenticity.  You can type in new keywords in the search box to look for images in Flickr (moving from left to right with the icons), search for and add a URL link, upload files from your computer, upload images from the web or upload a file using a URL link, you can search for tweets on Twitter, create notes and search for videos on YouTube.  Each item can be previewed by clicking on the eye icon (taking you right to the website by opening up a window within the workbench) or added to your magazine by clicking on the plus sign. (1)

Your work in progress, magazine, appears on the right.  The title of your Themeefy can be altered with the click of a mouse.  By clicking on the pencil icon to the left of your title box, you are taken to the upload options.  (2)

After you click the plus sign for an item on the left, a copy shifts to the right with icons on the right for uploading, previewing and deleting.  Each time an item is added to your magazine the default image for Themeefy is shown.  When you upload an image, it replaces it.  You can also mouse over any text which originated with the item, change or add to it.

At any time during the adding of items to your magazine you can click the preview button above your column on the right. The first page is your title.  You can move forward and backward by using the arrows.  As noted the icon on the left opens up the upload choices.







The next page is your table of contents.  By clicking and dragging you can rearrange their order.  If you click on the title of the item it will take you to it immediately (except for some reason this would not work for the listed tweet pages). Videos can be viewed within a page.





The page for each item in your magazine has three icons on the left.  The top is for opening the three upload selections (1).  The middle icon takes you directly to the media listed (2).  If you want to head back to the table of contents, click the bottom icon (3)

For me getting images of maps in Bing worked better than Google maps.  They would open very well on the left in preview mode.  But they would not shift over to the right side correctly.

In order to share your work you need to sign up.  To register you need to provide your first and last name, email address and a password plus agree to the Terms of Service and Privacy Policy.  A new window opens to your profile page when this is completed.


Click on the bottom icon on the left side of your created magazine.  This will publish your work. You can share via a URL, on Facebook or Twitter, add a password so only certain people can view your work or unpublish the magazine.  Here is the link to my created magazine, Caldecott Medal 75 Years.  

If you get stuck during this process the FAQ section will help.  I did send an email with a question and I received a reply within minutes.  I inquired about having an HTML embed code for blogs and websites.  It is coming very soon.


The huge advantage of Themeefy is the educator piece, especially for students under the age of 13.  To be able to have a free account, adding students from classes, monitoring their work in a secure environment, is great.  The ability for students to collaborate on magazines is an excellent feature.

It really couldn't easier to use.  I was able to navigate between each of the ways to add items with absolutely no problems.  If you make a mistake there is always a window of opportunity to make corrections.

Themeefy is a must add to your virtual toolbox.

Golden Glowing, Flying Flashes In The Dark

When you least expect it, there they are.  In the middle of a neighborhood game of hide and seek, during a late night stroll or when you are coming in off the lake after a fishing adventure, the cooling summer air in all directions will be filled with the tiniest lights flashing off and on. Those beetles with bodies that glow have taken flight.

Whether standing still among them or moving about to hold one for a moment; no matter how many times you've seen them, the wonder never ends.  Summon your memories of summers' past.  Author Dianne Ochiltree and illustrator Betsy Snyder have combined their talents to capture the magic of a single evening in It's A Firefly Night (Blue Apple Books).


When the moon is high
and the stars are bright,
Daddy tells me,
"It's a firefly night!"

Yes, she can see them all around her house, filling her yard with lightning gleams.  Joyfully jumping off the porch, now placing them in her jar, she still notices the warm air and gentle grass on her bare feet.

The container, a pulsing lamp, is a gathering spot, a layover, for the nighttime creatures.  She counts their numbers up to five, running to show her Daddy her temporary treasure.  Later, she places the jar on the ground, carefully holding one bug in her hand before she sends it flying away.

As each takes wing, she again counts their numbers, backward from ten, watching as they pass over familiar landmarks.  Marveling at their movement and light, she wonders.  Hand in hand as she and her Daddy walk back home, she asks the one question such an enchanted encounter inspires.


With eleven four-line verses, the second and fourth line rhyming, Dianne Ochiltree wraps readers in the warmth of this summer adventure.  Lilting words form a sensory luster all their own; shimmer, glimmer, sparkle, and shine. Metaphor and alliteration add to the melodious mood.


A double page illustration of the little girl and her little dog, enjoying their firefly fun stretches across the matching jacket and cover; the front and back jacket having a special addition, a raised glitter detail on eight spots.  Opening and closing endpapers continue the nightscape with the starry sky, lightning bugs, a grassy hill, evergreens and bushes.  The rich color palette seen on the jacket and cover is continued throughout the title in a series of lush, luminous two page visuals.

A cheerful variety of textures is used on all the items in each of the pictures; the marbleized moon, the scalloped roof, the lacy overlay on the girl's nightgown, her Daddy's checkered shirt and slippers, and the patterned fireflies' bodies and wings. In an email message received from Snyder she indicates I typically create my art by hand-painting textures, scanning them in, and collaging them on the computer using Photoshop. I use a mix of materials—acrylics, watercolor, pastels, gouache, etc.

The intricate details delight; the fireflies on the dog's nose and tail, the little red bird who follows their walk, the owl, skunk and fox in the opening view of the neighborhood, the caterpillar chewing a leaf, the smiles on the firefly faces or the spiderweb on her swing set. Betsy Snyder further elevates the elated feeling of the story by altering views; the first three illustrations zoom in closer and closer to the girl and her dog as they gather in the fireflies, in another readers look down on the girl as she gazes upward and in one the focus shifts to her outstretched hand, a lightning bug on a fingertip.

It is nearly impossible to pick out a favorite illustration but the close-up of the flowers and grasses with the caterpillar and ladybugs among them, surrounding the jar filled with five fireflies, showing only the girl's hands, seems to represent the the special moments of the entire evening.  Of course, the final two pages showing her and her Daddy walking along a path toward their house, the pup scampering ahead, the night alight with stars and fireflies, is a gem too.

It's A Firefly Night written by Dianne Ochiltree with art by Betsy Snyder is a light-hearted, absolutely charming, poetic portrait of a daughter and her father enjoying one of summer's precious pleasures.

After the story nine facts about fireflies are found in glowing orbs set in a night sky among the lightning bugs and stars.  Follow the links embedded in the author and illustrator names to their official websites.  This link is to the publisher website where several two-page spreads are available for viewing.

To Their Last Breath

Everyone fortunate to have a dog choose them knows about their keen sense of smell.  When they catch a whiff of something, it's not just a scent but an entire story.  If Xena sticks her nose in the air, looks around and does not seem to want to continue, we turn around.  The nose knows.

Another of their innate abilities is their sense of love, loyalty, to the leader of the pack--you.  If I become fearful, Xena is alert.  This was never more apparent than when we were attacked by a German Shepherd loose in a park; her change into wolf mode was uncanny. It is because of characteristics unique only to them, canines were used extensively during World War I along the Front; many as messenger dogs.  Debut author, Sam Angus, recreates a year during the war through the story of a fourteen-year-old boy in Soldier Dog (Feiwel and Friends).


Twelve hours had passed.  He'd last seen her at eight that morning.  Faint with exhaustion and hunger, Stanley sank down.  How on earth could he find a creature lighter and quieter than the wind?

Stanley did not find the purebred, prize female greyhound, Rocket.  She returns home the next morning. His father, Da, prone to violent rages since the death of his wife and the enlistment of his older son, Tom, in the Great War, vows to not allow half-breed pups on the premises.  Six weeks after their birth, when the one most attached to Stanley, Soldier, is not taken by the tinkers, Da states he will drown him.  Awakened by Rocket's howling the next morning, to Stanley's dismay and rage, Soldier is missing.

Unable to bear a life that has become intolerable, Stanley leaves to look for Tom in France.  From Lancashire to Liverpool, he travels to enlist.  Lying about his age, he survives basic training, moving through Signal School, a division of the Royal Engineers.  When a new section of the Signals Service is formed, Messenger Dog Service, Stanley signs up, becoming a Keeper, Keeper Ryder.

Unlike the other men who are given three dogs to train, Stanley receives only one, Bones, a Great Dane.  He's told only men with three dogs go to the front, only men with dogs who bond with their master working perfectly without question.  Week after week Stanley prepares Bones, gunfire, heavy guns, bombs, and homing runs, until Colonel Richardson has no choice but to send them to France.

When communication lines (wires) are broken by gunfire and shelling, when men, runners, and pigeons can no longer be used the messenger dogs are sent.  Warfare in the trenches along the Western Front is brutal but a dog trained to come back through the worst of it, out of loyalty, will do so.  Key people in his home life, Da, Tom, and his teacher, Lana Bird, who Tom loves, merge with the soldiers who are Stanley's new family. Letters from those he cares about most play as important a role as the messages sent from one company to another on the field by the dogs.

The month of April 1918 will change everything Stanley believes to be true; unbelievable horror, suffering, pain, loss and heroism will pass in and out of his world.  Key battles, lost or won, will depend on the messenger dog who loves Stanley and who Stanley loves.  Readers will be unable to turn the pages fast enough to discover the fate of all involved.


In a word, this story, written by Sam Angus, is intense.  Meticulous research, providing details, is woven into dialogue and descriptions of place and time in England and France.  A sensory writing style binds the reader intimately to the events and action within the narrative; it's as if we one and the same with Stanley.  Broken into three parts; before enlistment, during service and after the Battle of Villers-Bretonneux, chapter headings, sometimes only hours apart, contribute to the profound impact.  Here are several passages taken from an Advanced Reader's Edition (my only copy available).

The vast and bleak parade ground was surrounded by barracks, offices, and the entrance gates.  Fear kept drawing Stanley's eyes, like the needle of a compass, toward the gates.  Da might stomp through them at any minute, shouting for all to hear, "Fourteen! The daft twerp's only fourteen!"  Da would see the ill-fitting uniform, see the pants which billowed around his son's buttocks, see the puttee---the bandage-type stocking---that was in danger of unwinding at his right ankle, already unraveling at his knee.  Da would mock him and haul him home.

"The shelling's cut the lines, sir...There's no point, sir, they're blown to bits as soon as they're laid."
"Oh, God," breathed Hunter to the linesman, aghast and haggard.  "No signals and we can't lay new lines till nightfall.  We've only the runners and they haven't a chance---the Hun's taken the tunnel under the canal---they'd have to swim across."
Hunter raced back down to the Signal Station.  There were more shouts from below, unintelligible.  Fidget was shouting to Stanley that the front line had pulled back again, that it wasn't holding.  A man came up the stairs, white-faced, eyes full of fear, a fresh runner, with Hunter behind.  Hunter looked toward the canal and the sickle of flame that grew hourly closer.
Stanley looked at the face of the runner.  And he looked down at Bones, willing and ready.  Would he be wanted now? his round eyes seemed to ask.  Stanley saw, with a rush of love, the large square skull and wing-like ears, and he felt a lump rising in his throat.  Bones must go, a man should not be sent---the dog was faster, lower, had the better chance.
"No, sir.  Don't send a man. S-send my dog, sir."


Soldier Dog the debut work of author Sam Angus vividly brings to life the place of messenger dogs in service during World War I.  It is a story of incredible courage, both human and canine; heartbreaking and heartwarming, captivating and compelling, memorable to the final sentence.  For middle grade and up, this book has my highest recommendation. A historical note, author's note, photograph gallery and bibliography are found at the book's end.

Follow the link embedded in Sam Angus's name above to her official website.  The link embedded in the title contains more information about the book, the research, reviews and the first chapter.  Bobbie Pyron, author of The Ring, A Dog's Way Home and The Dogs of Winter, interviews Sam Angus here.